For over 15 years, media artist, curator, arts administrator and educator Christina Battle (Edmonton, AB) has been an active member of a number of communities including Toronto, San Francisco, and Denver and is currently based in London (ON). She has a B.Sc. with specialization in Environmental Biology from the University of Alberta, a certificate in Film Studies from Ryerson University, an MFA from the San Francisco Art Institute, and is currently working toward a PhD in Art & Visual Culture at the University of Western Ontario. With a practice founded in a DIY ethos she sees culture as being entirely dependent on it if it hopes to remain current and progressive. With organizing an active and critical part her practice, Christina has organized events and curated screenings that have traveled across North America. She is a contributing editor to INCITE Journal of Experimental Media, a current collective project is re:assemblage with Scott Miller Berry; SHATTERED MOON ALLIANCE is a current collaborative project with Serena Lee.
Her research looks to the parameters of disaster; looking to it as action, as more than mere event and instead as a framework operating within larger systems of power. Multidimensional by definition, disaster is seen as a series of intersecting processes including social, environmental, cultural, political, economic, and technological which are implicated not only in how disaster is caused but also in how it manifests, is responded to and overcome. Battle’s research considers the ways in which disaster as both subject and framework might be utilized as a tactic for social change and as a tool for reimagining how dominant systems might radically shift. Especially interested in how our engagement with media shapes our understanding and interpretation of information, her current research focuses on thinking more critically about the tools of technology, especially social media, as part of contemporary language and considering how the information disseminated via online platforms operates within the framework of disaster.
Battle’s practice engages with the underlying premise: that by considering how we anticipate, handle, understand and witness disaster, and how online social environments are changing the way we live socially in real life, we might begin to find tactics to be utilized in an ushering in of real social change. Strategies for actively working through this research manifests through the organizing and curating of film/video screenings, exhibitions and events, seen as a way to facilitate conversation and bring people together to engage in shared experiences. Through this part of her practice, Battle sees her role as one of a facilitator who can help to shape space for others' voices to be heard, who can contribute to actively diversifying both artistic spaces and their audiences and who can provide opportunities for critical engagement with conversations that might not otherwise occur within artistic institutions.
She has exhibited internationally in festivals and galleries, most recently at: 8-11 (Toronto), Nuit Blanche Toronto, Galveston Artist Residency (Texas); Studio XX (Montreal), Le Centre des arts actuels Skol as part of Le Mois de la Photo à Montréal (Montreal), Thames Art Gallery (Chatham, ON), Casa Maauad (Mexico City); SOMArts (San Francisco); Third Space Gallery (New Brunswick); RL Window Gallery (New York); Redline Gallery (Denver); Deluge Contemporary Art (Victoria, BC); The ODD Gallery (Dawson City, YT); Gallery 44 (Toronto); WNDX Festival of Moving Image (Winnipeg); The Images Festival (Toronto); MCA Denver; the Aspen Art Museum; and the Ryerson Image Centre (Toronto).
Inactive Collective & Collaborative Projects:
MICE MAGAZINE [Toronto; 2016-2017]
Nothing To See Here [Denver; with Adán De La Garza] [2014-2016]
F A I N T I N G C O P S [Denver; with Adán De La Garza] [2015-2016]
The Perceptual Adventure Series [San Francisco; with Nate Boyce, Marijke Jorritsma & Kent Long] [2003-2005]
The League [Toronto; with Sara MacLean, Juli Saragosa & Michèle Stanley]